Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by gingerphish
First set: What a start to the tour, although as mentioned a bit rusty. The Moma Ghost was my highlight for this show. I read a review on LivePhish app that mentioned the Ghost didn't really go anywhere or have a conclusion besides the weird key shifting ending. I would disagree with this. I thought the Ghost really explored some nice ambient hose. Felt like 98 at points to my ear. Funky Bitch and Zero were both solid, and I'm not a huge Stash fan so i'll leave that one alone.
Second set: This no man's is solid enough for a second set opener although not as strong as the Ghost. This is no stand out version for this song, but none the less enjoyable. Carini really hits a cool jam for only being 9 minutes long. The cool down with Slave and Bouncing happened. Soul Planet through Harry Hood was sweet though. You remember 2016 when 4th quarter jams were nonexistant, and shows fell so flat at the end and just drained the energy out of the crowd? Not this show.
Encore: Love both Contact and Julius. Especially to close out an average great show.
I feel like this show will be one that people look back on as kind of a hidden jem. Nothing was year defining good, but everything was solid.