Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by funkbeard
I finally realized the meaning.
From this time forth, Phish are going to be so great on a consistent basis that you do not have enough storage on your computer or even in the hours of your life to hear it all. If you thought the past was great, get a load of what's likely to come next!
They're promoting Hampton '97 with long jams this year, and the jams are incredibly meaningful again and again. Hell, there's that moment Mike Gordon had where the compositions and jams blended into perfect balance and he had something like a religious experience. Now we get this chapter of Phish that conveys that feeling in a way I can appreciate.
I'm listening for the first time, and I'm at the first spacey turn of the jam, and it's really questing and gorgeous. I love Phish 2012!