I'm reminded of the sheer amount of work that went into Hadestown, from the concept album out of Vermont through the staging in London, Canada, and finally on Broadway. I'm CERTIAN Trey knows of Hadestown (recently discovered Natalie Cressman was in one of the original jazz ensembles for that piece), and I think there's huge similarities between how Hadestown has moved from concept to broadway.

Wanna see Gamehendge there at Walter Kerr in a few years, please and thank you.